Last week, Dogs Trust was chosen as the recipient charity for a special screening of The Artist, in Leicester Square. Uggie the dog, the film’s main canine actor, came along to be charming in front of the cameras (something he found effortless) and hang out with Freddie, our CEO Clarissa’s ‘granddog’.
When you have a toddler it is, in any case, always a treat to get to go to the cinema, but it also means you can feel you need to justify the night out by seeing something good. (This is silly of course; spending the night out is justified by the fact that you have a toddler.)
In any case, I found The Artist to be exactly as good as the gushing suggests. It’s better if you know less, rather than more, going in, but the general premise (a silent movie about silent movies) is pretty widely known. It’s wonderfully deft; a clever idea made lovingly with an excellent cast and beautiful attention to detail. Oh, and the dog is in it a lot more than you expect.
If I had to drag out a criticism… oh, you know what? No. Of course there are flaws but since the successes are far more a) numerous and b) memorable, why ruin it by dwelling on them? I’m not reviewing this for a national, I’m chatting with my friends about it.
If you really want to know, ask.
But better still, go and see it.
I don’t want to know! For once, I have no interest in critiquing. I just got utterly swept away in it the way I very rarely do (so often hyped films are completely overrated — e.g. The Social Network and I had an uneasy relationship.) It was WONDERFUL. And I was really glad all I knew going in was that it was a silent, black and white film people seem to like. I had no idea I’d enjoy it so darn much. I’ll be really surprised if I see another film that good this year. But here’s hoping.
Agree wholeheartedly with the last commenter. (What’s that you say, related? What, us?!) 🙂