Erin Le Clerc is pretty much what you get if you give a whimsical fairy princess a backbone of steel. Psychologist by day and scribbler by night, one minute she’s doling out pragmatic life advice, the next talking about the ghosts in her childhood home (an abandoned hospital). I’ve known her for at least a decade – first online and then in person – and she’s become one of my very favourite people in the world. And I mean the world: she’s based in Queensland, Australia, whereas I’m in London, UK.
When Erin finally realised a lifelong dream of publishing her first book with illustrator Tisha Almas – a smart, inclusive picture book called I’ve Got A Cow Called Maureen – I was thrilled for her. Even more so, I was thrilled for the kids who’d get to read a story about finding your own path and potential. So I invited Erin here to have a chat about her writing process, inclusivity and what we can expect from her in the future. Continue reading →
In this, the Year of our Lord 2019, there should be no reason to go fridging a woman. And if doing so once might be regarded as a misfortune, to do it twice in service of the same male character just seems like carelessness.
Welcome to The Umbrella Academy: the Netflix / Dark Horse comic book adaptation that hasn’t met a trope it didn’t immediately adopt. With promising diversity in its casting, it could all have gone so much more right. Though, in retrospect, starting with sudden forced births from 43 unsuspecting women – who until that day didn’t even know they were pregnant – should have been a sign of lack of female autonomy to come. Continue reading →
Is there a phrase more ready to suck the joy out of the room than “it’s pure escapism”?
Alright, perhaps not everyone dislikes it as heartily as I do. But there’s no description of any form of entertainment more guaranteed to put me off indulging in it or extending the conversation with the person in question. As a review it’s unhelpful and as an analysis it’s dismissive. Continue reading →
Women’s stories can be very different from men’s. But are women themselves? Popular female storytelling in film, particularly in the hands of men, is so often disappointingly predictable and narrow: strength is translated in the main as physical, motivation stems from trauma. When a director – with the best intentions – dismisses the impact of gender, race or sexuality, saying they don’t want it to get in the way of telling a human tale, it’s so often a recipe for disaster. At worst, women are written as walking mouthpieces for their issues; at best, their behaviour is still so often tightly laced into restrictive stereotypes.
Enter The Favourite, equipped to change the game with a nuance and subtlety that contrasts gleefully with its coarse dialogue and visually arresting style. Continue reading →
Usually I know what my word of the year is likely to be a good month or so before I get to writing my posts on the matter. This year inspiration has gone right to the wire; it only really hit me a day or so ago.
It’s my seventh year of choosing one, and you can read about years 2015, 2016, 2017 and 2018 here (I don’t think I wrote about 2014’s Creativity or 2013’s Decisiveness). I still feel largely pleased with my year of ‘Do’, but I’m conflicted because the things I thought I would have done, I didn’t – and other things I didn’t expect to happen, did.
I don’t like to make excuses. Scratch that, I love to make excuses, but I know they don’t fly. When I think through last year’s mental To Do list, it’s mixed results. Continue reading →
I’m no longer inspired by people who always knew exactly what they wanted to do.
Well, to clarify: I am inspired by their work, and their passion, and sometimes even by some of their process. But given than I’m 38 and I’m still not entirely sure what I want to do “when I grow up”, I no longer seek out stories that start with “I told my nursery school teacher that I was going to be an actress”. Continue reading →
There’s been a wave of Twitter chats recently around favourite bad films (Kong: Skull Island), unpopular opinions (The Lion King is mediocre animal Hamlet with mostly bad tunes) and the like. It’s a great platform for the random and reactionary. But one film kept bafflingly coming up as a “guilty pleasure” with astonishing regularity: Practical Magic.
Now, we all know why that is. We know that it doesn’t actually matter on any level whether it’s a good romantic comedy or not (it is), if the script is smart (mostly), the performances are on point (yup) or the structure makes sense (eh, more or less). What matters is that it’s a women’s film, and we can easily dismiss womeny things that men couldn’t possibly be interested in like love and magic and, um, being beaten and strangled by your insane abusive ex. Actually, it really is a women’s film. Continue reading →
I’ve done a lot of crying over this story.
First on a train as I pulled into a local station, red-eyed, having feverishly rushed through the last few, devastating pages of the book on the way home. Then at the London Film Festival, where I can only assume that the last twenty minutes looked as beautiful as the rest because I was viewing it through some sort of blurry waterfall. So I have history with A Monster Calls.
Still, I had to wonder how the the creative team setting up shop at The Old Vic was going to cope with the mixture of mundane school settings and storytelling flights of fancy. Continue reading →
There’s a terrible rift in our household. A Civil War, if you will. You see, I’m Marvel. And my kid is (whisper it)… DC.
It’s tricky. And since neither one of us has a mother called Martha, that line of resolution is closed to us. But if there’s one space where I’m willing to let divided loyalties lie it’s in front of the TV for a family viewing of the hilarious, anarchic show Teen Titans GO! So when we were invited along to a preview of the big screen outing for the Justice League’s biggest fans, it would have taken a feat of superhuman strength to hold us back. Continue reading →
In a kids’ entertainment landscape flooded with massive Pixar releases, big animated musicals and a surfeit of superheroes, you might think there’s little room left for an old-fashioned episodic animated comedy. The Big Bad Fox begs to differ. Continue reading →
I should have called the last part ‘requiem for a disc’, shouldn’t I? If you’re joining me for the first time here and you really like extended medical stories about back surgery, do I have a 3,500-word treat for you! Otherwise, if you a) already read that, b) don’t care or c) just want to get straight to the stuff about how I live with pain now, two surgeries later, as well as yet more extended medical stories then do settle in.
I’ll start with a list of things that I used to do without thinking, and which now give me pause. This is not for sympathy, but relatability for those with a list of their own – and a chance for those with no list to maybe register how life might look different for that friend, relative, colleague or random stranger on the bus. Continue reading →
The most common question I get asked about my back problems is “how did you slip your disc?”. And I usually reply: “I stood up”.
Over the years I’ve told bits of the story, always in person, to individuals. I want to write much more about how I deal with pain now, what it means now. But to do that, I find I need to explain the history first. And it’s a good medical story. Who doesn’t love a good medical story? Continue reading →