Why the most important character in Lady Bird wasn’t Lady Bird.

Some of us are born Julies.

The story isn’t often about us – and when it is, or at least when we get a chunk of the story, it’s usually not a Julie telling it and then they get it all wrong.

(Contains spoilers if you haven’t yet seen Lady Bird. Though you should get on with it now.) Continue reading →

My 2018 Word of the Year

2017 has been… a good year for comedy. Politically, whatever point on the spectrum of opinion you occupy, you’ve probably felt aggrieved. Being in a country that doesn’t know where it’s going or why it’s going there but by God it’ll go there with conviction isn’t necessarily the most inspiring context to live in, but I recognise it takes a massive level of luck to even be concerned with any sort of personal growth. But, you know, you’re on a blog not a news channel, on a post entirely about self-actualisation, so you kind of asked for some self-centered pontificating. Continue reading →

Four minute film review: The Florida Project

It’s taken me weeks of thinking about The Florida Project to even consider trying to write this in four minutes. But if I gave myself longer, I might never stop.

Named after the code for what would become Walt Disney World, The Florida Project takes place in the shadow of Cinderella Castle, centering on a young mother and daughter living a transient motel room life worlds apart from the glossy, expensive vacation kingdom up the road. Continue reading →

Film review: Paddington 2

 

I’ll dollop on marmalade analogy early: this film is deliciously sweet, but with a gently tart edge, and if there were a cinematic equivalent of comfort food this would be it. But it would be unreasonably twee to spread it on too thick, given this is a film that wears charm on its sleeve, but never becomes sickly. Continue reading →

Four minute film review: Thor: Ragnarok

These are good times for comedy. Giving the most maverick wing of the MCU outside Guardians of the Galaxy – this one ripe for resurgence following a shaky sequel – to a reliably off-the-wall comedy genius managed to be both a brave and low-risk move from Marvel; fortunately, Taika Waititi doesn’t disappoint.

In his first work to involve massive budgets and existing characters, he effortlessly pins his intimate, wise-cracking style on the overblown, operatic drama of the Thor franchise. Continue reading →

BFI London Film Festival 2017: four-minute film reviews

Featuring: The Meyerowitz Stories; Battle of the Sexes; Call Me By Your Name; The Shape of Water

I’m taking a different approach to my festival filmgoing this year – a round-up rather than a post for each. I’m sure SEO experts will be shaking their heads and I’m certainly not winning on frequency or volume of content, but I’m hoping this will mean a distillation of quality – more useful stuff, delivered more efficiently, with less waffling.

She says, waffling. Continue reading →

Gladstone’s Library aka I took a holiday alone and it’s the best thing I’ve ever done that I’m thinking of right now

I am a work-out-of-home mother. This necessitates some sacrifice in the amount of time I can spend with my daughter, and that can be difficult. My employer is reasonably flexible, allowing regular work from home which means maximising before and after school time. Despite various weekend commitments Continue reading →