Oh, Child. I feel I should start this with an apology (and not for calling you pet names that drive you mad, because that’s still slightly funny). 🤷🏻♀️
I’m sorry you inherited my anxious tendencies. I still remember when it first became obvious my cunning plan to not be myself around you had failed: when, as a toddler, you started to charmingly call out “Be careful, Mummy! Be careful, Daddy!” from the back seat of the car.
Oops. Continue reading →
I’m no longer inspired by people who always knew exactly what they wanted to do.
Well, to clarify: I am inspired by their work, and their passion, and sometimes even by some of their process. But given than I’m 38 and I’m still not entirely sure what I want to do “when I grow up”, I no longer seek out stories that start with “I told my nursery school teacher that I was going to be an actress”. Continue reading →
There’s been a wave of Twitter chats recently around favourite bad films (Kong: Skull Island), unpopular opinions (The Lion King is mediocre animal Hamlet with mostly bad tunes) and the like. It’s a great platform for the random and reactionary. But one film kept bafflingly coming up as a “guilty pleasure” with astonishing regularity: Practical Magic.
Now, we all know why that is. We know that it doesn’t actually matter on any level whether it’s a good romantic comedy or not (it is), if the script is smart (mostly), the performances are on point (yup) or the structure makes sense (eh, more or less). What matters is that it’s a women’s film, and we can easily dismiss womeny things that men couldn’t possibly be interested in like love and magic and, um, being beaten and strangled by your insane abusive ex. Actually, it really is a women’s film. Continue reading →
In any group of parents, no matter what age or experience, nothing seems to get the garbage fire rage burning quite as warmly as the subject of attendance awards. This is not, to be clear, about legal action taken by a local authority against a parent failing to get their child to school regularly. These are the certificates and treats and weekly newsletter trackers and termly celebrations insisted on by schools around the country to improve their attendance figures (regardless of whether they need improvement or not). Continue reading →
I’ve never wanted to direct films.
Watch them? Definitely. Write them? Eventually (I’ve always envisioned it being an adaptation of prose, not being a habitual screen- or scriptwriter, although a good friend and I have been batting around a TV series idea for ages). Write about them? All the time, whether I’m asked to or not.
But I’m not a filmmaker. Which is why when I first became aware of the BAFTA Guru Live sessions, I wasn’t sure if I really should grab a ticket. I mean, they’re open to everyone and you don’t need to give any reason for attending, but I felt a directing masterclass might be more for filmmakers than writers. Still, I simply couldn’t resist nabbing one while I had the chance.
So, as a different flavour of creative, was it worth me going along? Unquestionably. Continue reading →
What is it that makes us think that round numbers are somehow significant?
We seem compelled to mark them in some way; to say I am still alive as if getting through a decade is specifically more significant than any other period of time. And I’m as susceptible as the rest; I approach my fortieth, which is in the pleasingly rounded year 2020, with a feeling that it marks an inevitable turning point in my life. I’m not waiting for it to get stuff done – in fact, my year of Doing has already borne personal fruit – and I’m not expecting it to be all sunshine and roses; there is no stage of a woman’s life that doesn’t come with a patriarchy shit sandwich.
Yet in my mind, it has acquired some important punctuation. Continue reading →
I never had a pre-baby body. I mean, it existed of course – I didn’t spring into being from Zeus’ head, only with an infant at my side, eight years ago – but it wasn’t, in any way that matters or is visible, any different from my post-baby body.
That’s partly because I’ve never been thin. My stomach has had rolls for as long as I can remember (not in that hunched over on the beach way to show that you can squeeze a wrinkle out with effort, either); my thighs have never known a gap. I sometimes compare the textures of my body to food; at the moment I feel most like squidgy, pillowy dim sum. My body is what it is, and has been part of the battleground of hatred and fear since my age was in single figures. I’ve learned to live with it, because I have no choice but to live in it. I don’t always love it – I challenge anyone who deals with daily pain to really love their body, all the time – but I’m grateful for whatever it’s capable of at any given moment. Continue reading →
I’ve done a lot of crying over this story.
First on a train as I pulled into a local station, red-eyed, having feverishly rushed through the last few, devastating pages of the book on the way home. Then at the London Film Festival, where I can only assume that the last twenty minutes looked as beautiful as the rest because I was viewing it through some sort of blurry waterfall. So I have history with A Monster Calls.
Still, I had to wonder how the the creative team setting up shop at The Old Vic was going to cope with the mixture of mundane school settings and storytelling flights of fancy. Continue reading →
There’s a terrible rift in our household. A Civil War, if you will. You see, I’m Marvel. And my kid is (whisper it)… DC.
It’s tricky. And since neither one of us has a mother called Martha, that line of resolution is closed to us. But if there’s one space where I’m willing to let divided loyalties lie it’s in front of the TV for a family viewing of the hilarious, anarchic show Teen Titans GO! So when we were invited along to a preview of the big screen outing for the Justice League’s biggest fans, it would have taken a feat of superhuman strength to hold us back. Continue reading →
Have you seen it? Have you read it?
For those who haven’t heard of either, Dietland is a 2015 book by Sarai Walker. It’s back in the public eye right now as the screen adaptation by Marti Noxon – producer and writer on Buffy, Grey’s Anatomy and Mad Men, among many others – has just launched. An AMC show, it’s currently on Amazon Prime in the UK, with a new episode released every Tuesday. And even though season one isn’t even done yet, I’m definitely conflicted and need a friend to discuss it with. Continue reading →