Some of us are born Julies.
The story isn’t often about us – and when it is, or at least when we get a chunk of the story, it’s usually not a Julie telling it and then they get it all wrong.
(Contains spoilers if you haven’t yet seen Lady Bird. Though you should get on with it now.) Continue reading →
2017 has been… a good year for comedy. Politically, whatever point on the spectrum of opinion you occupy, you’ve probably felt aggrieved. Being in a country that doesn’t know where it’s going or why it’s going there but by God it’ll go there with conviction isn’t necessarily the most inspiring context to live in, but I recognise it takes a massive level of luck to even be concerned with any sort of personal growth. But, you know, you’re on a blog not a news channel, on a post entirely about self-actualisation, so you kind of asked for some self-centered pontificating. Continue reading →
It’s taken me weeks of thinking about The Florida Project to even consider trying to write this in four minutes. But if I gave myself longer, I might never stop.
Named after the code for what would become Walt Disney World, The Florida Project takes place in the shadow of Cinderella Castle, centering on a young mother and daughter living a transient motel room life worlds apart from the glossy, expensive vacation kingdom up the road. Continue reading →
I’ll dollop on marmalade analogy early: this film is deliciously sweet, but with a gently tart edge, and if there were a cinematic equivalent of comfort food this would be it. But it would be unreasonably twee to spread it on too thick, given this is a film that wears charm on its sleeve, but never becomes sickly. Continue reading →
These are good times for comedy. Giving the most maverick wing of the MCU outside Guardians of the Galaxy – this one ripe for resurgence following a shaky sequel – to a reliably off-the-wall comedy genius managed to be both a brave and low-risk move from Marvel; fortunately, Taika Waititi doesn’t disappoint.
In his first work to involve massive budgets and existing characters, he effortlessly pins his intimate, wise-cracking style on the overblown, operatic drama of the Thor franchise. Continue reading →
Featuring: The Meyerowitz Stories; Battle of the Sexes; Call Me By Your Name; The Shape of Water
I’m taking a different approach to my festival filmgoing this year – a round-up rather than a post for each. I’m sure SEO experts will be shaking their heads and I’m certainly not winning on frequency or volume of content, but I’m hoping this will mean a distillation of quality – more useful stuff, delivered more efficiently, with less waffling.
She says, waffling. Continue reading →
I am a work-out-of-home mother. This necessitates some sacrifice in the amount of time I can spend with my daughter, and that can be difficult. My employer is reasonably flexible, allowing regular work from home which means maximising before and after school time. Despite various weekend commitments Continue reading →