Erin Le Clerc is pretty much what you get if you give a whimsical fairy princess a backbone of steel. Psychologist by day and scribbler by night, one minute she’s doling out pragmatic life advice, the next talking about the ghosts in her childhood home (an abandoned hospital). I’ve known her for at least a decade – first online and then in person – and she’s become one of my very favourite people in the world. And I mean the world: she’s based in Queensland, Australia, whereas I’m in London, UK.
When Erin finally realised a lifelong dream of publishing her first book with illustrator Tisha Almas – a smart, inclusive picture book called I’ve Got A Cow Called Maureen – I was thrilled for her. Even more so, I was thrilled for the kids who’d get to read a story about finding your own path and potential. So I invited Erin here to have a chat about her writing process, inclusivity and what we can expect from her in the future. Continue reading →
Women’s stories can be very different from men’s. But are women themselves? Popular female storytelling in film, particularly in the hands of men, is so often disappointingly predictable and narrow: strength is translated in the main as physical, motivation stems from trauma. When a director – with the best intentions – dismisses the impact of gender, race or sexuality, saying they don’t want it to get in the way of telling a human tale, it’s so often a recipe for disaster. At worst, women are written as walking mouthpieces for their issues; at best, their behaviour is still so often tightly laced into restrictive stereotypes.
Enter The Favourite, equipped to change the game with a nuance and subtlety that contrasts gleefully with its coarse dialogue and visually arresting style. Continue reading →
I should have called the last part ‘requiem for a disc’, shouldn’t I? If you’re joining me for the first time here and you really like extended medical stories about back surgery, do I have a 3,500-word treat for you! Otherwise, if you a) already read that, b) don’t care or c) just want to get straight to the stuff about how I live with pain now, two surgeries later, as well as yet more extended medical stories then do settle in.
I’ll start with a list of things that I used to do without thinking, and which now give me pause. This is not for sympathy, but relatability for those with a list of their own – and a chance for those with no list to maybe register how life might look different for that friend, relative, colleague or random stranger on the bus. Continue reading →
The most common question I get asked about my back problems is “how did you slip your disc?”. And I usually reply: “I stood up”.
Over the years I’ve told bits of the story, always in person, to individuals. I want to write much more about how I deal with pain now, what it means now. But to do that, I find I need to explain the history first. And it’s a good medical story. Who doesn’t love a good medical story? Continue reading →
Usually I know what my word of the year is likely to be a good month or so before I get to writing my posts on the matter. This year inspiration has gone right to the wire; it only really hit me a day or so ago.
It’s my seventh year of choosing one, and you can read about years 2015, 2016, 2017 and 2018 here (I don’t think I wrote about 2014’s Creativity or 2013’s Decisiveness). I still feel largely pleased with my year of ‘Do’, but I’m conflicted because the things I thought I would have done, I didn’t – and other things I didn’t expect to happen, did.
I don’t like to make excuses. Scratch that, I love to make excuses, but I know they don’t fly. When I think through last year’s mental To Do list, it’s mixed results. Continue reading →
In any group of parents, no matter what age or experience, nothing seems to get the garbage fire rage burning quite as warmly as the subject of attendance awards. This is not, to be clear, about legal action taken by a local authority against a parent failing to get their child to school regularly. These are the certificates and treats and weekly newsletter trackers and termly celebrations insisted on by schools around the country to improve their attendance figures (regardless of whether they need improvement or not). Continue reading →
I’ve never wanted to direct films.
Watch them? Definitely. Write them? Eventually (I’ve always envisioned it being an adaptation of prose, not being a habitual screen- or scriptwriter, although a good friend and I have been batting around a TV series idea for ages). Write about them? All the time, whether I’m asked to or not.
But I’m not a filmmaker. Which is why when I first became aware of the BAFTA Guru Live sessions, I wasn’t sure if I really should grab a ticket. I mean, they’re open to everyone and you don’t need to give any reason for attending, but I felt a directing masterclass might be more for filmmakers than writers. Still, I simply couldn’t resist nabbing one while I had the chance.
So, as a different flavour of creative, was it worth me going along? Unquestionably. Continue reading →