What The Favourite can teach us about female representation in popular cinema

Women’s stories can be very different from men’s. But are women themselves? Popular female storytelling in film, particularly in the hands of men, is so often disappointingly predictable and narrow: strength is translated in the main as physical, motivation stems from trauma. When a director – with the best intentions – dismisses the impact of gender, race or sexuality, saying they don’t want it to get in the way of telling a human tale, it’s so often a recipe for disaster. At worst, women are written as walking mouthpieces for their issues; at best, their behaviour is still so often tightly laced into restrictive stereotypes.

Enter¬†The Favourite,¬†equipped to change the game with a nuance and subtlety that contrasts gleefully with its coarse dialogue and visually arresting style. Continue reading →