When I decided to go for it with the London Film Festival this year, I couldn’t possibly leave out my little future film fan. Ramona actually came quite late to cinema going (she’s spooked by sudden bangs and loud noises sometimes, so it can be a bit overwhelming) though she loves it now; tempting her in through the doors by explaining that it was ‘like watching a bunch of trailers’ meant that we got to experience something a little different from the usual family films – not that there’s anything wrong with those, but opening up horizons is never a bad thing.
While the BFI has really developed its family offering in recent years, Ramona’s age group often leaves her out of proceedings; animation workshops etc are really only going to become of interest in a few years’ time, as she’s only five. However, on the final day of the festival was the ‘Animated Shorts for Younger Audiences’ collection; at a total price of £29 for the three of us it seemed really reasonable for a central London cinema trip during an event for which I’d already dropped a phenomenal amount to attend gala screenings (still paying that off; still worth it).
What was actually going to be in the programme was a bit of a mystery; it turned out to be 14 international animated shorts including a UK advance screening of the new Disney / Pixar short, Sanjay’s Super Team which is due to appear before The Good Dinosaur when that’s released next month. The collection was brilliantly varied, in terms of content, technique and storytelling, from a brilliant one-minute one-man whiteboard animation from a second year student to an intricate Latvian stop motion morality tale about littering.
My personal favourites included a superbly funny Swedish animation about a pair of dice and a couple of ladybirds on an adventure (hereafter, all ladybirds shall be known as ‘Bengt’ to me). I also loved a rather bleak but beautiful Canadian take on environmentalism positioned ironically around the lyrics of Que Sera Sera (pretty sure that whisked straight over Ramona’s head but she liked the cars). She particularly enjoyed a sweet film about a bird that takes a break from its migration pattern to dance with a tortoise on a beach; I thought it was beautiful yet overlong, but it was lovely to compare notes and find we really loved different things for different reasons. I found a charming French tale of a cuddly toy soothing a baby delightful; Ramona thought the battered toy (“that grey thing”) was really scary.
We were all a bit blown away by Sanjay’s Super Team, which really made me want to see it as a full-length film, combining the visual punch of The Incredibles with a wide-eyed, Nemo-esque sweetness. The only issue was its positioning in the programme which felt a bit odd; dropping a famous animation heavyweight in near the end but not at the end meant that quite a lot of the kids seemed to check out after that. In fact, my beloved ladybird Bengt was on last, which was another odd choice as it was one of the longest pieces and also the only on to require subtitles. Not generally a problem for my little reader, but she wasn’t the youngest child there by a long shot and putting the one that requires the most concentration at the end seemed to be a bit of a scheduling no-no (and in fact she wriggled and jiggled and wiggled and finally expressed boredom, which earned her some steely glances and sharp words from her mother).
There were evidently some pains taken to make it feel more like a festival; the films were introduced, there was some Q&A at the beginning, and after each set of two or three we were actually introduced to some of the filmmakers for little interviews. Unfortunately this was mostly lost on the audience; the younger children figeted and checked out and their parents couldn’t listen while trying to keep a lid on things – and I did see some leave before the end.
So do I recommend it? Yes, definitely, though I wouldn’t take the ‘younger audiences’ label to mean – as many of us obviously did – youngest audiences. Ramona loved the setting, wanting to “send a message to those BFI people to tell them how BEAUTIFUL it is in here” and really enjoyed some of the films, and she’s insistent she wants to come back to watch movies at BFI Southbank. However, she’s wavering much more over the shorts programme, because the stop-start nature meant she couldn’t properly engage with what she was seeing. My personal recommendation would either be to play straight through, allowing time for various Q&As at the end for those families with older kids, or to have more of a quiz type format to the breaks (as she really liked it when asked questions).
Roll on next year!