Being a ‘new’ you without taking everyone down with you

When breastfeeding went drastically wrong from day one, I discovered Fearless Formula Feeder and loved it – especially the tagline “Standing up for formula feeders… without being a boob about it.” Now, everyone loves a good boob pun, but it was the message of defending ones own space without insisting on invading someone else’s – one that is so often lacking in ‘lifestyle change’ discussions – that really resonated.

We get it: you lost weight, swapped a 20-fag-a-day for a 20-bowls-of-kale-a-day habit, went from not being able to run for a bus to doing ultramarathons… gave up sugar (ahem). It’s really helpful to hear about that change, and it can be inspiring, too. But the problem is that other people are just trying to steer a path of just getting on with living in their own bodies as they are and it’s hard enough to steer that ship already, beset as it is by a whole host of societal and media obstacles. Like being a fan of problematic things, there are ways to discuss undergoing a transformation, no matter how big or small, without becoming an iceberg in the path of the body positivity boat.

I hold myself accountable here. I have a massively complex relationship with my weight and my appearance. I was a fat child; one day a complete stranger I had to squeeze past to get to a seat in a cafe (because he had his chair flung out) berated me because I failed to apologise for grazing his elbow with my body. “Sorry, I didn’t realise,” I replied; “you’re probably too fat to realise” came the response. I was nine, and he said it front of his (thin) wife, who pursed her lips smugly, silently, and his son, about my age. I was also a fat teenager – 16 stone at 16 – and this was in the days where it was buy an ugly tent from Evans (it wasn’t cool then, well before Beth Ditto), make your own muumuu or don’t go out. For years and years I tried to lose weight. I was in a popular group weight loss meetings programme at 14 – I quit after I lost 4lbs in a week of illness and vomiting, eating nothing but dry toast, and was congratulated for it, then warned to ‘be careful’ the following week when I put on half a pound on returning to “normal” eating. I was still a teenager, being encouraged to be ill and vomit to lose weight. When I had my appendix out at 16, I had a dreadful reaction to an anti-inflammatory drug and couldn’t eat at all for four days – anything except ice-cold water, in tiny sips, made me vomit copiously. I became massively lethargic and my tongue furred up from dehydration. My mother called the GP, worried, and was told it wouldn’t be the worst thing if I lost weight. Again: Still. A. Teenager. And it wouldn’t be the first or last time I came across fat concerns being placed above good healthcare by medical professionals.

Anyway, I tried okay? At some point in my mid-20s, I drifted down from a 22 to a 16; I started a more regular gym habit with my now-husband, and we both got a bit fitter which also happened to coincide with a bit of weight loss (the two don’t always go hand in hand); I did not diet for my wedding, though I think I was probably incidentally at my thinnest anyway. I wore a lot of corsetry and insisted on a jacket. A year later I was pregnant. I gained a bit, I lost a bit… my body changed, as is wont to happen with pregnancy and childbirth.

Then, almost two years ago,  I quit sugar, and my body again changed substantially. And while everyone expects a pre-during-post pregnancy change, here it was a dietary one, and it got attention. I gradually shrank in front of my colleagues while at the same time having to voice that I was eating differently (our office is powered on cake, and you need reasons to avoid it). I went from tipping a 16 to being an M&S 12. I also began to explore fashion with something approaching a sense of self, rather than invisibility and comfort, for the first time. I began to feel vaguely welcome in that world.

Perhaps paradoxically, it wasn’t actually being a size that was available in more / most high street stores that did that initially, but the increasing proliferation of plus size bloggers showing that larger women could wear whatever the hell they wanted. I am smaller than I was, but I am not really thin, toned or fit, and I often dress with the same panicky considerations as I did when I was bigger: covering my arms, nothing above the knee unless it’s worn with thick tights / leggings, nothing too body con. Fatshion bloggers basically said “to hell with that” and they let me see a side to dressing that had been hitherto hidden from me: one that focussed on the gorgeousness of the clothes and the generally being fabulous and not having to achieve some special exclusive social value before being allowed to access those things or feel good about myself.

I didn’t quit sugar to lose weight – I’d finally given up on that, but it came as a side effect. If I’m totally honest I suppose it was welcome in that way that you’re glad to see a long lost relative even if they’ve turned up days late with a friend you weren’t expecting and the spare room is still full of junk. I have massively mixed feelings about it all. But perhaps because it was unintentional, I also have massively mixed feelings about the way that people respond to me post-weight loss. In fact I frequently resent my new-found visibility and newly-won respect. In so many ways, I am still very much the same person I was before, just thinner. But at the same time, I might not seem it.

I cannot fail to respond to the receptivity shown to my bid to be that bit “better” dressed, that bit louder and brighter with my look, that bit braver in tarting up in vintage or pulling on nerdy leggings. I have started deliberately posting outfit pics on Instagram, doing actual fashion blog posts, growing my hair long – in the past I subscribed to some weird rule that being bigger meant I should have short hair? – and slapping on a host of red lipsticks. That has led to more people commenting (positively) on my appearance. And while I enjoy that and am grateful for any and all well-meant kindness, I feel angry for my past self and the lack of love she got. Angry at myself, for spending all those years hiding myself and waiting to be more ‘acceptable’, and angry at others for refusing to notice that girl until she made herself noticed by finally doing what the system insisted she had to do. Would owning it then, dressing up more and wearing those lipsticks have achieved more respect then? I’ll never know, because I didn’t feel ready to do it until after people started making a fuss of my weight loss. I feel like maybe I could have if I were 15 now, but back then there were no social media, no inspirational bloggers, no accessible, progressive clothing stores or lines – no online communities for someone like me to turn to to make me part of an incredible movement and not just a funny fat girl trying. There’s a messy, painful symbiosis between the emergence of my confidence and the diminishment of my body, where no good can ever be entirely good.

The extraordinarily luminous Bethany Rutter often posts examples of the harmful narrative of former fat people – that is, those who say they’re a different person / healthier / happier / full of love and light since making a physical change. I’m not going to speak on behalf of fat women, because you need to read the discussions coming directly from fat women about all sorts of things; here’s another example on the same topic, Lesley Kinzel’s entire XOJane back catalogue, great fashion inspo from my darling friend Kitkeen and a wonderful summary article on not diluting the radicalism of body / fat positivity to get you started. (It should go without saying that you should follow those women for their general brilliance as interesting, smart – also fat – women; they’re not paid to educate us but if we happen to learn something along the way that can only be for the good). But it has dawned on me that, like men calling out other men to battle misogyny, I should reach out to others ‘like me’ – others who have made some sort of change and found themselves in a new category, treated with a new respect and handed a tiny sliver of the privilege others have been basking in for some time. And what I say to us is: THINK. Think about what you’re saying when you say things are much better now. Think about what – again, in Bethany’s perfect words – fat shaming really is.

Of course you must speak your truth – for me, it would be lying not to suggest that I feel healthier off sugar; of course I do, that’s why I did it and kept doing it and wrote about it. But you do not do this in a vacuum. Furthermore, to go that step further and suggest that being treated better means I am better, and advocate for you to all join me and be much better too would be frankly awful. The assumption that everyone wants to lose weight and that this would also happen in exactly the same way for them, the underpinning of a royally messed up status quo that rewards you for physically diminishing yourself, the value judgement implicitly levelled at anyone who doesn’t change themselves to please the public anti-fat narrative (whether they can or want to or not)… how would that be helping anyone except myself and my own validation?

It can be tempting when you’ve been part of one group and you find yourself in another to try and be all things to all people. As radical movements go mainstream, the demand to become accommodating forces them to be stretched like an old piece of chewing gum that’s lost its flavour but can still be relied upon for a few attention-drawing pops. This is disastrous, and erasing – yes, we are all objectified and victimised by a thin-centric social narrative and media, but if you’re about to say something about ‘skinny shaming’ ask yourself if this would ever happen to a thin person and remember that ‘reverse’ isms do not really exist. That doesn’t make the person benefiting from privilege bad, it just makes them privileged. Different responsibilities come with that.  I am not thin, and I am now over 35, but I am still more welcome in any space than a woman identical in all other ways to me but fat would be. I have a responsiblity to not further pollute the little space afforded to her by grabbing at it to add at my new-found wiggle room. And I think too many ex-fats like me do that without even being aware of it.

As one of the most painfully honest pieces I’ve ever written, I will find it very hard to publish this. It will feel exposing, and raw, and I will fear it being taken the wrong way or being seen as appropriative (and if I am told it is, I will be prepared to remove it). But this, really, is my love letter to those people – particularly fat women – that are changing the landscape so that there never needs to be another child or teenager miserable in the way that I was, not because I was fat but because of the way fat people are treated. I salute them, I love them and – from the bottom of my heart – I thank them.

Film review: Captain America: Civil War (no spoilers)

  

When you take a step back, it’s clear that the Captain America franchise is what holds the MCU together. Not because of key plot points or character overlap, although those are important, but because it provides the beating heart of the whole: the moral compass and the conflicted human core. In Civil War, the Russos have built on a strong foundation to produce what is unquestionably one of the finer examples of a superhero ensemble movie that we’ve seen yet.

One of the ways in which they do this is in not shying away from telling a story: thoroughly, engagingly – above all, emotionally. Joe Johnston set the scene: The First Avenger stretched the origin story out in a way that no other MCU film has – contrast this with Tony whose suit building is done in the first 35 minutes with such alacrity that it feels like a pre-credit sequence, the emotional arc flattened by the force of his impulsive personality.  For Cap, almost half the story takes place before the (physical) hero has been created. The thrills deliver when they come, but their goal is to show the building of a man – the polar opposite of Stark, holding the attention with simple, quiet determination – not a machine. So the Russos ran with it once they had their turn at the helm: The Winter Soldier has the pace of a Cold War thriller, but is at heart an exploration of friendship and trust. In Civil War we’re treated to the evolution of that: a rich examination of the nature of family.

In the aftermath of the events of Age of Ulton and following a catastrophic intervention in Nigeria, the question of quis custodiet ipsos custodes raises its head: should the Avengers be controlled by the United Nations and deployed by committee – political weapons, if you will? Horrified by the human cost of his Ultron experiment, Tony Stark believes so; Steve Rogers, battle-scarred Boy Scout, disagrees. When one James Buchanan “Bucky” Barnes resurfaces accused of a shocking atrocity, confrontation becomes inevitable and the rest of the team are forced to choose a side.

The emotional heft here is undeniable, but punctured with outrageously fluid set pieces – including a Greengrass calibre car chase – and a solid sense of humour, it works beautifully. With the freedom to choose how much to involve anyone beyond the main protagonists, rather than the obligation to balance them, Civil War feels very much like the film Ultron could, perhaps should, have been – and Christopher Markus and Stephen McFeely’s script has at least a handful of Whedonesque moments to prove it.

Still, the focus is remarkably broad; alongside the ideological battles between Steve (an eternally straight-faced Evans bringing his usual quiet likeability)  and Tony (the best we’ve seen from RDJ in the role yet), is generous screen time for Black Panther in advance of his upcoming solo outing. Despite their shared litheness, steely Chadwick Boseman contrasts beautifully against a high-energy first appearance from Tom Holland that should make us all thoroughly excited for the upcoming Sony Spider-Man reboot. A pleasantly quirky fan-pleasing chemistry is explored between Vision and Scarlett Witch, though both feel a fraction underused, and if we’re not entirely sold on Natasha Romanov’s new-found maternal instincts, her long-honed propensity to play both sides renders her the most intriguingly unpredictable “enhanced individual” in the line-up. Though the seeds of the conflict are sewn long before his appearance on the scene to stir up trouble, the endlessly watchable Daniel Bruhl isn’t wasted as Zemo either, in a carefully judged and admirably restrained villainous turn.  Finally, somehow, there’s enough latitude given to make the appearances of Ant-Man, Hawkeye and War Machine worthwhile while still at least attempting to make clear that this is not an Avengers movie (honest guv).

We engage when Stark and Rogers square up against each other because we care about them – and in the choices that those around them make (Hawkeye and Black Widow hurling punches while discussing whether they’re still friends is both absurdly funny and poignant). With yet another Bruce Wayne to familiarise ourselves with and a Clark Kent who barely considers changing his world view, Batman v Superman, leached of all tension, never stood a chance by comparison. Admittedly, Civil War might have benefited from a tighter approach to the action sequences – there’s a danger some of the more dramatic clashes are undermined by the volume and length of the fight scenes. But it seems a worthwhile trade-off to allow the Russos a little bit of indulgence in the fireworks since they’re willing to invest the same effort in the more discursive scenes.

If Iron Man deals in flashy theatrics, Thor brings the Shakespearean space opera and Guardians of the Galaxy is an adult’s adventure story, Civil War places Cap firmly at the emotional centre, dragging everyone in its orbit in to examine their own place in the MCU – but crucially with wit and warmth rather than an excess of ponderous brooding. With more of Ant-Man‘s humour and Doctor Strange’s mysticism on the way to keep it balanced, there’s no sign of this juggernaut losing momentum. And thank goodness for that.

Captain America: Civil War is released in the UK cinemas on the 29th April. 

Disclosure: Press tickets were provided by the Disney UK team. Opinions are my own.

#TeamCap 

Film review: Disney’s The Jungle Book (live action)

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If I had to sum up Jon Favreau’s live action take on The Jungle Book in a single word, it would be… affectionate.

It’s perhaps an unexpected thing to say about a film that is a little darker and quite substantially more intense than the animated version of Kipling’s tale from which it takes its inspiration, but it is exactly in referencing that source that much affection is revealed. In that, and the enormous heart that runs through it which never turns saccharine.

The Jungle Book‘s stellar cast might overwhelm newcomer Neel Sethi in any other circumstances; as they’re safely ensconced in (gorgeously realised) animal characters it is perhaps the youngster’s inexperience that allows him to make such a good showing, unbowed – in that childlike way – by the amounts of green screen acting he must have done. As it is, he stands up brilliantly well to the sheer weight of talent around him. Sir Ben Kingsley’s Bagheera is particularly generous, restrained and warm, letting Sethi’s Mowgli fill the screen – even a screen as intimidating as the IMAX in which we saw it – with big-eyed naivety and youthful belligerence. Lupita Nyong’o brings the heart in spades, and even Bill Murray’s Baloo is a scene-stealer rather than walking away with the whole movie. Christopher Walken’s gargantuan King Louie is thrillingly creepy even when conducting a classic sing-song.

It is perhaps Scarlett Johansson’s Kaa that suffers most from the surfeit of talent; though her role contains a crucial bit of exposition and she’s spared the undignified exit of the cartoon concertina snake, her cameo is brief and abruptly over and her song confined to the end credits – though these are worth sticking around for. I also struggled a little with Idris Elba’s Shere Khan; never bettered when exuding quiet menace, the twisted tiger’s blistering moments of rage seemed at times a bit muted.

Still, this is splitting cat hairs. The fact is that the whole is enchanting. The immersion offered by the IMAX screen was quite something, but even on a 2D screen half the size it would clearly be a really beautiful film. Despite deft references to the animated classic – particularly in the opening and ending, and well-chosen musical links – it’s in the deviations, and the return to Kipling, that this finds its own feet and justifies Disney’s desire to explore its back catalogue in live action. Witty without being jarring or coarse, deeply emotional but not manipulative and a serious visual treat – what a winner.

The five-year-old’s verdict:

Here’s where it went slightly wrong. I actually nearly went to see this without her, as after her nervousness at some elements of Zootropolis, she and I were both uncertain. But we talked it through and thought we’d try being brave. I gave her an opt out, which was to leave with her dad if it was too much. She was actually completely fine through some early scenes of animal violence – and I should emphasise that almost everything is implied rather than seen, so the PG rating certainly holds. But the big screen eventually became too much, and she decided to opt out; while the central core of the film was then fine, the ending was intense even for me, so it’s just as well. My parental recommendation would be for 8+, particularly in 3D, perhaps a little younger in 2D. I recognise I have quite a sensitive soul on board, particularly where animals are concerned, so others of a similar age might be fine. However, I did also hear another child near us express a quavering dislike of Kaa.

The Jungle Book is on general release in the UK from April 15th.

Disclosure: We were given family tickets by the Disney UK team to a screening including some fun events like face-painting; however, all thoughts about the film are our own.