BFI London Film Festival 2016: Paterson (review…ish)

How do you make a film compelling

Without conflict, drama or action“?

When a man goes to work every day

And loves his girlfriend

And she loves him?

When a notebook full of gentle poems

Stashed in a pocket as he drives the bus

Is all that he needs to be

Himself?

When the surroundings are suburban

Washed out, simple

Just about real?

When cereal is eaten from a water glass

(No plums in the icebox)

And every morning starts the same

More or less?

When simple symbols repeat themselves

Regularly for two hours

(Circles, twins, circles, twins)?

When he sees things in black and white

(Him and the world, together but separate)

And she makes everything black and white

But sees everything as grey

As possible

(Cupcake queen, country singer)?

When an event of enormous personal significance

Is a broken bus

A toy

A chance conversation

Some paper?

You cast Adam Driver

On whose face the tiniest twitch

The most subtle reaction

Is everything you need to know

And who is capable of being blank

Without being empty.

And to make doubly sure

That everyone is paying attention

You add a bulldog with just enough personality

(Personality goes a long way)

And a wobbly postbox.

paterson.jpg

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