“No one just says they love Sam Neill” …and other stories

There’s a sense with blogging that each post ought to have a theme. An SEO-able topic, that kind of runs along a sensible continuum and gives people a reason to read. My blithe dismissal of this on occasion might explain why I’m not a Blogger-with-a-capital-B, but just a…blogger.

Anyway.

The other day I was talking with one of my favourite people and one of my favourite kickass-women-I-admire and the subject of Taika Waititi came up because we all want to see Hunt for the Wilderpeople (and obvs I’m a Thor bore of old). And I said I really want to see it because I really love Sam Neill. Lo laughed and said “no one ever says that! No one ever just goes ‘I really love Sam Neill‘”. And I mean obviously I just did but it’s true. It doesn’t get said in passing conversation nearly enough. The man is the Lord High Master of hey-it’s-that-guy acting – appearing in practically everything, including goddamn Jurassic Park, and yet is not routinely coming up in conversation . He should. This is my manifesto. Also, watch The Dish because it’s all kinds of charming. And if you’ve seen that weird film where he reminisces about his former life as a dog that I caught 20 minutes of in the gym can you explain it to me in the comments? Ta.

While we’re on the subject of hey-it’s-that-guys, my friend Wil has now cooked for Stellan Skarsgard, and this is basically the best thing I’ve ever heard that I’m thinking of right now. This (Stellan, not Wil) is the man whose marvellously oily character made Good Will Hunting watchable! Even if he hadn’t done 100s of other great things, that would be worth the water cooler chat for decades to come. (I know, I know… I just can’t warm to it. I grew up on that other Robin Williams-starring paragon of special snowflakery, Dead Poets Society, and I’m sticking with it. And Josh Charles. To the desk-standing last.)

My brain is very full of stuff at the moment. I’m working on a huge number of different things at work, involved to different degrees. I’m getting ready for a hugely expensive but fun month, with four London Film Festival screenings and a second bite at Letters of Note all happening in a very small space of time. I have many things to pay for, and childcare issues to resolve. I have films to watch and books to read. I have blog posts to write (you all want to know how the painting turned out, don’t you? Well, you should). I have at least three ideas for future businesses I want to run if I can ever figure out how to run a business, and a draft of a book that very, very badly needs rewriting before I can figure out what else I might want to do with it (I’ve booked an Urban Writers Retreat Day to try and deal with a fraction of that).

I need want more dresses with pockets. Or just more dresses.

My hair has decided it’s curly now and I don’t know how to look after curly hair and some days I look like Cher in Moonstruck and other days it’s more like Monica Geller in humidity.

Everything is so… fizzy. I have the privilege of having so much to say and do and think and covet that I cannot get my thoughts into any sort of reasonable order.

Except, apparently, a Sam Neill Manifesto.

 

Redecorating a kids’ room with Dulux

We’ve been talking about redecorating our daughter’s room for a year, and thanks to the kind offer of some assistance from Dulux, I think we’re finally going to get started! There has been an element of laziness, but also fear of expense (we have some furniture to obtain as she’s still in a small bed and needs to graduate to a full size single, we’re hoping cabin bed) and considerations for how to make the most of storage in a fairly small room.

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The Superhero Room: I’m more of a Marvel girl, but I could totally live with this

But we’ve also been having The Conversation with the kid about how she wants her own space to be. As a kid, I came from the House of Magnolia, and I was rarely allowed to choose the paint or decoration in my room; when we moved house when I was 11, I was given a list of white paints ‘with a hint of [insert other colour here]’ and told to pick one. Apparently there is a difference between white with a hint of blue (as chosen by me) and white with a hint of grey (as chosen by my sister) but it definitely takes a better woman than me to spot it. These days I admire my mother’s simple, fresh approach to decoration – she’s branched out into buttermilk – but I also recognise that I’d have eaten my own arm to be allowed to choose the colour in my own room.

Enter Dulux. The team there got in touch to highlight their kids’ room designs which include a quiz  tool and workbook to help children make sense of their room decorating choices.  This includes the ideas for themes that you’ll see scattered through this post, and an array of articles on getting kids involved in the processOooh, that sounds interesting, as we’re planning to redecorate, I said. Would you like some paint? they replied. Hell yeah, came the response. More on our choice in a moment!

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The Jungle Room

I have to admit, I’d already put some parameters around our 6yo’s choices; as a 1960s build, our house suits pastels, and I insisted on something light in such a small room anyway. I also can’t live with pale pink (I never could), but will accept lilac. We’ve been planning to go for a peaceful green in the living room when we get round to replacing the ‘we’ve just moved in, quick paint it something inoffensive’ pale calico we slathered the place in four years ago. So we had already circled around a few colours anyway. I did in the end find that applying some boundaries does help with a child as young and imaginative as mine – given too many choices and possibilities the indecision and mind-changing is endless. She struggles with committing to a dessert, let alone thinking about a colour she can live with for the next few years.

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The Storybook Room

Even though she was pretty sure she wanted something in a yellow hue, we had a go on the Kids Room Tool and no matter which options she chose, the Storybook Room came up as the final option. Which, though R wasn’t so keen on the blue, was appropriate enough given she’d been leaning towards a My Little Pony inspired look (with a hint of Teen Titans Go!).

Still focussed on yellow as the main colour, we then looked at the options available in the Endurance+ range that the Dulux team recommended for being harder-wearing. Of those, the more light and warm shade was Vanilla Sundae, and the team have kindly sent us some so we can finally get cracking! These are the reasons R has given so far for choosing yellow:

  • To remind me of sunshine on rainy days
  • Because it’s your favourite colour, Mummy, and one of mine
  • Because it’s the colour of Fluttershy
  • Because it’s cheerful and light
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The Sports Room

We’ve started to do some research into decals and wall stickers. R was all for painting murals and scenes across the wall, but I’m simply not that good a freehand artist, and with a graphic designer dad on board having something custom printed is a more likely option (if we can’t find one we like as is). Also, as I pointed out, she might not like the same things in a couple of years that she likes now – she’s just started getting into Harry Potter, and she already can’t decide how much of the bedroom should be dedicated to her equestrian pals, and how much should represent DC’s finest young superhero team. So stickers will let the room grow with her, while the cheery paint continues to allow light into a room whose windows face across a drive to another house, limiting the natural brightness.

I really am glad that she’s getting a bit of a say in making her own space. I’m getting serious itchy pants about the state of our living room because I spend so much time there; things feel more like home when you can stamp your personality on them. As she’s getting older – going into year 2 next week – she’ll be getting more homework to do at home, and when she has play dates they spend more and more time in her room. Dulux’s research claims that 92% of children say they’d be happier to work and play more in their rooms if they had a say over how they were decorated; I can’t guarantee any results, but I can appreciate the feeling! While I hardly want her to stop hanging out with us in the living room, I’d like her to feel her room is a haven; I was a bookish kid who spent hours holed up reading, and the cosier the place you can do things like that, the better.

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The Circus Room

I’ve not yet taken the ‘before’ photos – mostly because her room is a tip – but once we get up and running I’ll document it with another post and Instagram (Stories ‘n all) is likely to be part of the process. I’m no natural interior designer, so all tips and tricks are welcome… and if anyone can recommend a good value company for getting a mid-height cabin bed, I’m all ears!

Disclosure: As stated, Dulux has kindly offered to supply the paint for our project from the Endurance+ range; opinions are my own, and there has been no other payment for this post.

On Ghostbusters 2016 and objectivity

My husband and I saw Ghostbusters separately. We each saw it alone, which is perhaps the best way to know whether you really enjoyed something; you’re not reacting to it with anyone, so it’s all on you.

I loved it. He thought it was fine. We, like everyone else in the world, both fell hard for Holtzmann; we diverged on Hemsworth. I was pleasantly surprised by his straight delivery and almost deadpan gaze; my husband found him a bit lifeless. We agree that the first half hour takes too long to get to the point. I would say that too much space is given to Wiig and McCarthy to do their thing as individuals when the strength of the film is the union of all four characters, and in particular the rock solid contributions of Jones and McKinnon. He reckons that they are both simply not that funny in the first half of the film – individually and together. We were both glad that, even if Patty is still relegated to being the only non-academic of the group and a bit ‘urban’ (which could have been a massive cringe as the only notable POC in the film), she’s actually far more rounded than the trailer suggested, and massively well self-educated to boot.  But still: overall I loved it, pre-ordered it on Blu-ray (yes, some people still do that) and can’t wait to see it again, and he thought it was a bit better than okay but… yeah, whatever.

Here is where I wonder if it’s actually impossible to separate political joy and filmmaking objectivity. Do we even need to? My husband’s position is arguably more ‘objective’ than mine in that he is, by definition, less invested in the film being good. He has never had to go out at night worrying if tonight is going to involve (another) assault or death; on a recent re-watch of the original Ghostbusters he himself pointed out how revoltingly predatory Bill Murray’s Venkman is but I think he could see it rather than feel it. As a child I watched that version many, many times every summer – that and Mannequin were the only vaguely suitable films in English that my grandma’s local video shop in Athens carried – and yet I never loved it. At the time it was groundbreaking in many ways and the premise remains an excellent one, but I did not warm to it the way I did Back To The Future, The Goonies and Pretty in Pink. Even Mannequin, frankly. That’s fine, I didn’t have to. I can accept that it wasn’t, in the end, made for me.

But this Ghostbusters, at this time, was. And I accept the gift wholeheartedly. I feel an intense and lasting joy at the lack of casual rape jokes, at the tongue-in-cheek references to fanboy trolling, at the deliberately practical and unsexy costumes, at Holtzmann’s triumphant battle scene, at female friendship that doesn’t centre on relationships, at flawed women being flawed. And it doesn’t matter to me whether future generations objectively think that joke was as funny as it could have been, etc. I lost patience with this Ghostbusters only when it delivered heavy-handed fan service to the original (Aykroyd’s lamely game cameo was really just awful, and Murray’s awkwardly unnecessary; Hudson’s was actually quite sweet and natural but made the sad lack of Ramis even more keenly felt). When it was its own, kickass thing, behaving as if comic female action leads are just the most natural thing in the world, it was exactly what I always knew could happen if we just let it.

To be honest, the best case scenario is that women in the future find this film a bit of an embarrassing relic that their mums like. That there are so many original, brilliant feature films that don’t need to rely on an existing formats to make their point that this seems a bit old fashioned and unnecessary. I do not need it to last. I do not need it to be ‘objectively’ brilliant to do exactly what it was has done (even if I think it does actually stand up just fine most of the time, thanks). If the greatest value this film ever has is as a gender political statement, then that is more than enough for me.

And if my husband has to stand there in his wrongness, be wrong and get used to it, then I dare say we can both live with that too.

Being a ‘new’ you without taking everyone down with you

When breastfeeding went drastically wrong from day one, I discovered Fearless Formula Feeder and loved it – especially the tagline “Standing up for formula feeders… without being a boob about it.” Now, everyone loves a good boob pun, but it was the message of defending ones own space without insisting on invading someone else’s – one that is so often lacking in ‘lifestyle change’ discussions – that really resonated.

We get it: you lost weight, swapped a 20-fag-a-day for a 20-bowls-of-kale-a-day habit, went from not being able to run for a bus to doing ultramarathons… gave up sugar (ahem). It’s really helpful to hear about that change, and it can be inspiring, too. But the problem is that other people are just trying to steer a path of just getting on with living in their own bodies as they are and it’s hard enough to steer that ship already, beset as it is by a whole host of societal and media obstacles. Like being a fan of problematic things, there are ways to discuss undergoing a transformation, no matter how big or small, without becoming an iceberg in the path of the body positivity boat.

I hold myself accountable here. I have a massively complex relationship with my weight and my appearance. I was a fat child; one day a complete stranger I had to squeeze past to get to a seat in a cafe (because he had his chair flung out) berated me because I failed to apologise for grazing his elbow with my body. “Sorry, I didn’t realise,” I replied; “you’re probably too fat to realise” came the response. I was nine, and he said it front of his (thin) wife, who pursed her lips smugly, silently, and his son, about my age. I was also a fat teenager – 16 stone at 16 – and this was in the days where it was buy an ugly tent from Evans (it wasn’t cool then, well before Beth Ditto), make your own muumuu or don’t go out. For years and years I tried to lose weight. I was in a popular group weight loss meetings programme at 14 – I quit after I lost 4lbs in a week of illness and vomiting, eating nothing but dry toast, and was congratulated for it, then warned to ‘be careful’ the following week when I put on half a pound on returning to “normal” eating. I was still a teenager, being encouraged to be ill and vomit to lose weight. When I had my appendix out at 16, I had a dreadful reaction to an anti-inflammatory drug and couldn’t eat at all for four days – anything except ice-cold water, in tiny sips, made me vomit copiously. I became massively lethargic and my tongue furred up from dehydration. My mother called the GP, worried, and was told it wouldn’t be the worst thing if I lost weight. Again: Still. A. Teenager. And it wouldn’t be the first or last time I came across fat concerns being placed above good healthcare by medical professionals.

Anyway, I tried okay? At some point in my mid-20s, I drifted down from a 22 to a 16; I started a more regular gym habit with my now-husband, and we both got a bit fitter which also happened to coincide with a bit of weight loss (the two don’t always go hand in hand); I did not diet for my wedding, though I think I was probably incidentally at my thinnest anyway. I wore a lot of corsetry and insisted on a jacket. A year later I was pregnant. I gained a bit, I lost a bit… my body changed, as is wont to happen with pregnancy and childbirth.

Then, almost two years ago,  I quit sugar, and my body again changed substantially. And while everyone expects a pre-during-post pregnancy change, here it was a dietary one, and it got attention. I gradually shrank in front of my colleagues while at the same time having to voice that I was eating differently (our office is powered on cake, and you need reasons to avoid it). I went from tipping a 16 to being an M&S 12. I also began to explore fashion with something approaching a sense of self, rather than invisibility and comfort, for the first time. I began to feel vaguely welcome in that world.

Perhaps paradoxically, it wasn’t actually being a size that was available in more / most high street stores that did that initially, but the increasing proliferation of plus size bloggers showing that larger women could wear whatever the hell they wanted. I am smaller than I was, but I am not really thin, toned or fit, and I often dress with the same panicky considerations as I did when I was bigger: covering my arms, nothing above the knee unless it’s worn with thick tights / leggings, nothing too body con. Fatshion bloggers basically said “to hell with that” and they let me see a side to dressing that had been hitherto hidden from me: one that focussed on the gorgeousness of the clothes and the generally being fabulous and not having to achieve some special exclusive social value before being allowed to access those things or feel good about myself.

I didn’t quit sugar to lose weight – I’d finally given up on that, but it came as a side effect. If I’m totally honest I suppose it was welcome in that way that you’re glad to see a long lost relative even if they’ve turned up days late with a friend you weren’t expecting and the spare room is still full of junk. I have massively mixed feelings about it all. But perhaps because it was unintentional, I also have massively mixed feelings about the way that people respond to me post-weight loss. In fact I frequently resent my new-found visibility and newly-won respect. In so many ways, I am still very much the same person I was before, just thinner. But at the same time, I might not seem it.

I cannot fail to respond to the receptivity shown to my bid to be that bit “better” dressed, that bit louder and brighter with my look, that bit braver in tarting up in vintage or pulling on nerdy leggings. I have started deliberately posting outfit pics on Instagram, doing actual fashion blog posts, growing my hair long – in the past I subscribed to some weird rule that being bigger meant I should have short hair? – and slapping on a host of red lipsticks. That has led to more people commenting (positively) on my appearance. And while I enjoy that and am grateful for any and all well-meant kindness, I feel angry for my past self and the lack of love she got. Angry at myself, for spending all those years hiding myself and waiting to be more ‘acceptable’, and angry at others for refusing to notice that girl until she made herself noticed by finally doing what the system insisted she had to do. Would owning it then, dressing up more and wearing those lipsticks have achieved more respect then? I’ll never know, because I didn’t feel ready to do it until after people started making a fuss of my weight loss. I feel like maybe I could have if I were 15 now, but back then there were no social media, no inspirational bloggers, no accessible, progressive clothing stores or lines – no online communities for someone like me to turn to to make me part of an incredible movement and not just a funny fat girl trying. There’s a messy, painful symbiosis between the emergence of my confidence and the diminishment of my body, where no good can ever be entirely good.

The extraordinarily luminous Bethany Rutter often posts examples of the harmful narrative of former fat people – that is, those who say they’re a different person / healthier / happier / full of love and light since making a physical change. I’m not going to speak on behalf of fat women, because you need to read the discussions coming directly from fat women about all sorts of things; here’s another example on the same topic, Lesley Kinzel’s entire XOJane back catalogue, great fashion inspo from my darling friend Kitkeen and a wonderful summary article on not diluting the radicalism of body / fat positivity to get you started. (It should go without saying that you should follow those women for their general brilliance as interesting, smart – also fat – women; they’re not paid to educate us but if we happen to learn something along the way that can only be for the good). But it has dawned on me that, like men calling out other men to battle misogyny, I should reach out to others ‘like me’ – others who have made some sort of change and found themselves in a new category, treated with a new respect and handed a tiny sliver of the privilege others have been basking in for some time. And what I say to us is: THINK. Think about what you’re saying when you say things are much better now. Think about what – again, in Bethany’s perfect words – fat shaming really is.

Of course you must speak your truth – for me, it would be lying not to suggest that I feel healthier off sugar; of course I do, that’s why I did it and kept doing it and wrote about it. But you do not do this in a vacuum. Furthermore, to go that step further and suggest that being treated better means I am better, and advocate for you to all join me and be much better too would be frankly awful. The assumption that everyone wants to lose weight and that this would also happen in exactly the same way for them, the underpinning of a royally messed up status quo that rewards you for physically diminishing yourself, the value judgement implicitly levelled at anyone who doesn’t change themselves to please the public anti-fat narrative (whether they can or want to or not)… how would that be helping anyone except myself and my own validation?

It can be tempting when you’ve been part of one group and you find yourself in another to try and be all things to all people. As radical movements go mainstream, the demand to become accommodating forces them to be stretched like an old piece of chewing gum that’s lost its flavour but can still be relied upon for a few attention-drawing pops. This is disastrous, and erasing – yes, we are all objectified and victimised by a thin-centric social narrative and media, but if you’re about to say something about ‘skinny shaming’ ask yourself if this would ever happen to a thin person and remember that ‘reverse’ isms do not really exist. That doesn’t make the person benefiting from privilege bad, it just makes them privileged. Different responsibilities come with that.  I am not thin, and I am now over 35, but I am still more welcome in any space than a woman identical in all other ways to me but fat would be. I have a responsiblity to not further pollute the little space afforded to her by grabbing at it to add at my new-found wiggle room. And I think too many ex-fats like me do that without even being aware of it.

As one of the most painfully honest pieces I’ve ever written, I will find it very hard to publish this. It will feel exposing, and raw, and I will fear it being taken the wrong way or being seen as appropriative (and if I am told it is, I will be prepared to remove it). But this, really, is my love letter to those people – particularly fat women – that are changing the landscape so that there never needs to be another child or teenager miserable in the way that I was, not because I was fat but because of the way fat people are treated. I salute them, I love them and – from the bottom of my heart – I thank them.

Running for a train

I turned thirty-six running for a train.

I’d left an emotional night out which included a fantastic Letters Live performance and a reunion with a school friend I hadn’t seen since school. Eighteen years of bright, intense newness and unutterably comfortable familiarity; finding out things about each other in the context of feeling a connectedness that meant the conversation couldn’t run dry.

The clock struck midnight as I bolted from the Bakerloo to the Metropolitan line at Baker Street, heading for the last train out in my direction. It felt so right to be alone, doing a simple grown up thing, as I eased over the line of my mid-thirties. This decade in which I can finally have said to have worked some stuff out about myself – in which I was already a wife but became a mother, a home-owner, a manager, an aunt for the second time, a resident of somewhere other than London for the first time. I’ve given up sugar and taken up drawing. I’ve started wearing red lipstick and stopped caring how it looks.

I’ve always been a quick learner but a slow bloomer. It took the better part of thirty…something years to walk with a spring in my step; growing up as a fat kid you generally want anything but to take up space (that’s the problem, you take up too goddamn much space, ffs), but at some point you hope to learn that you have as much right to that space as anyone else. Even after I reduced myself in size quite considerably, however, I still couldn’t quite get my head around it; words, journalling, blogging were the only spaces in which I gave myself a little elbow room, and even then I generally preferred to stay below the parapet as much as possible (read this, please, but only if you don’t know me and there are not too many of you).

On my wedding day, aged twenty-eight, being stared at was made bearable only by the love of my husband-to-be, some extraordinary hair and makeup help, a lot of very beautiful satin and, crucially, corsetry. I deflected compliments, and shared wedding photos weeks later still wishing there were a hundred things I could change about my stance, my expression, my body… my face. I’m not going to pretend that my thirties have fixed everything about this. I definitely have wobbly moments, daily. I change outfits that don’t look right at the last minute. I don’t post the first selfie.But with every year that I add, I lose an ounce of capacity to give a shit.

In the last couple of years I’ve been able, for the first time, to enjoy dressing as something more than an emo statement (teens) or a way of blending into the background (twenties). I’m now neither two fingers up nor window dressing. I’m able to express sentiments I hadn’t given myself permission to feel before. Having a child undoubtedly had an impact – when your mum, a family friend, the midwife, her trainee student midwife and your husband have watched another entire person, albeit in miniature, emerge from an intimate area of your anatomy, you cannot help but dispense with a certain amount of self-consciousness. I am now beginning to square with actually courting a certain amount of attention; obviously that comes with massive caveats, but leaving the house with gold superhero leggings on I did have an inkling that people might talk to my knees more. To me it was more important to express some fun and experience myself being – as I saw it – brave than it was to worry about what other people would think or say. But it took the cumulative experience of three decades of being me to make that possible. Such a tiny, insignificant thing – a thing that only a gallon of privilege would allow to be an issue – but for me a small but noticeable marker that I have changed.

Recently, my daughter has developed a certain amount of shyness and self-consciousness. Online safety training at school has led to a blanket ban on sharing images without her express prior approval in case “someone shares it and laughs at” her (to be honest, if she’s nailed that understanding at five, then I’m considerably less worried about what she might get up to at fifteen). I’m not going to try to talk her out of it, in part because I’ve learned the hard way that this is actually impossible – you cannot be reasoned into a certain way of relating to the world. But now I can pin just a little of my personal progress on her – give myself the motivation to keep acknowledging the shuffling steps forward – because now I’m also an example for someone. Another thing my thirties have given me.

When I turned thirty, I didn’t really stop to think about it. I was pregnant, tired and hungry. I knew I’d ticked some boxes I’d vaguely hoped to do so by then, but I was too busy feeding a sudden, desperate addiction to cheese and tomato toasties and trying to work out how to extract a distinct individual from my nether regions to consider it all much. Plus, to a certain extent, I expected to have changed. Twenty is only just not-a-teenager. Thirty is a grown-up. If I hadn’t made any progress, then there was definitely a problem. But the growth I’ve unexpectedly packed into just six years since then hit me with unexpected force on an almost empty train, juddering out to the Home Counties, on a freezing cold March night I’d spent with someone who was my best mate when I was six.

Thirty years later, instead of running around the playground, I’m running for a train – tipsy, content in my own company, wearing bright pink lipstick and a form-fitting mustard yellow dress, darting towards forty with only hope tugging at my hand.

10 New Year wishes for my 5-year-old

Eight out of ten ain’t half bad. As wishes go, failing to watch Ratatouille I can give a pass to (especially since you’ve seen more films in the cinema in one year than ever before) and not letting me brush your hair, well… there are worse things.

So given that the other eight wishes – all of them endless, forever wishes apart from WDW and we had a ROLLICKING time – are going as strong as I could hope for, what else is there left to hope for?

When it comes to you there is always  more.

1. I wish for you to keep surprising me. I mean, it was no surprise to me that you had a spectacular time at Walt Disney World, but every day you managed to do something unexpected – liking a ride I didn’t think you would, bravely agreeing to do something that scared you, playing brilliantly with your cousins. And really it was the trip to Stockholm that was full of little joys; it was great to know that you could get as much pleasure out of a city trip as we could, that you enjoyed exploring and tea shops and the unusual (that, in fact, you’re more like me than I thought, at times).

2. I wish for you to continue fighting your fears. I know that you find the unexpected difficult sometimes; you’re already better at being brave at your age than I was. But there are some times when I know you’re keeping yourself from something you’d love because you’re nervous about what might scare you – even for a second. I was majorly impressed that you kept going on the Nemo ride despite Bruce (even more so that by the fourth ride, you kept your eyes open), but I look forward to a day when you will judge which film you want to watch, book you want to read, place you want to visit and ride you want to go on more by level of interest than by likelihood of not being scared. There’s a world of enjoyment out there for you, and I promise you that sometimes, to slightly redirect the words of the man himself, being scared out of your pants may be the best thing in the world for you.

3. I wish for you to continue being brilliant at making friends. I’m sorry it took so long to have a proper playdate with your bestie. She’s awesome, and there will be many more, I promise.

4. I wish for you to lose that sense of embarrassment! It shocked me when I realised you meant it that you were bashful and embarrassed whenever anyone talked about you. I’ve always considered my overly honed sense of personal humiliation my greatest weakness. I simply do not want you to inherit it. So please – be like your dad. Give not one flying… fart… what anyone says about you. Because you are the best.

5. I wish for you to unleash that creativity more than ever. You come up with the best, maddest, funniest most bonkers stories. I simply insist that you keep them coming. And I shall uphold our deal: when I come up with an idea, I’m free to write it, draw it and play with it any way I like. And when it’s your idea, it’s your intellectual property, no matter how frustrating I find it that you won’t let me develop it. Humph.

6. I wish for you to stop licking our hands and faces. Seriously, kid, it’s revolting. And while we’re at it, could the foot-tickling go on hold? Ta.

7. I wish for you to keep being delightfully affectionate. In line with number 4, I’m dreading the day that cuddles and kisses start to dry up and start being embarrassing. For now, I am taking full advantage of being carpeted with snuggles and I do not wish it to stop. Also, you can keep telling me you love me and you’ll stay with me forever; I mean, in the fullness of time I shall want you to be independent and want to leave me, for your own good, but in the meantime I am very happy to be clung to and generally adored. As you were.

8. I wish for you to keep growing like a weed in the sun. You shot up 10cm betweeen March and December! Your legs are just like your dad’s – long, lean and always tripping over themselves. You are so outrageously strong. I love it, I admire it, I’m a little jealous of it.

9.I wish for us to travel again this year – perhaps nearer and more cheaply, but for us to have some sort of adventure together and you to experience some more new things and discover fresh likes, dislikes and interests. I’m keeping fingers crossed for the trip we talked about in the summer – a new way of travelling for us as a family too, so let’s wait and see!

10. Finally, I wish for you to be ever more you, a simply wonderful person whom I consider myself privileged to know. You constantly make me want to do better for you, and I know you enjoy hearing how proud you make us. In keeping with my theme of finding the value in myself and others, I hope we three continue to constantly inspire each other to show the best of ourselves to each other and to the world. And that we continue to feel safe disclosing and battling the worst of ourselves, too – which might even be the more valuable bit.

Happy new year, Pickleface.

My word of the year for 2016

Every year, I read a plethora of posts that say “I don’t do New Year’s resolutions” and then go on to list New Year’s resolutions. Hell, I’ve probably written one before.

I think the problem is that the format of the resolution sounds like putting pressure on oneself – “this year I will lose arbitrary amount of weight as if each lb taken away signifies 1lb of added happiness”. There’s a negativity about it, a beating of the self with the pointy stick of “why haven’t you done this already”. It’s a checklist, rather than a spur for growth.

The thing is,  the changing of the calendar is as good a time as any to get your thoughts in order. No, you don’t have to do a damn thing just because it’s January 1st. Neither does it make it any less of a resolution if you make it on June 17th. But emotionally, I think it is easier to allow yourself to be carried on the tide of hope that inevitably wells up at this time of year. The days begin to lengthen again, we spend weeks correcting ourselves every time we write down the date, and it just seems to be a serendipitous moment to do a bit more brain training.

This is why I like to set myself a theme, rather than specific goals. For one, some goals can be forced but some depend on the right opportunity presenting itself, and the resolution is more about the groundwork – being ready to seize that moment – than about the moment itself. For the last few years I’ve sought to develop mindsets, rather than attain specific rungs on my mental ladder. So for each year, I’ve assigned a word, and let that word be the theme that guides me, and that I can come back to when I feel stuck.

In 2013, I was feeling a little scared and set in my ways. So I chose Decisiveness, and I changed jobs and took a new career path which has helped me learn a lot. In 2014, Creativity ruled the roost; I started to share more of my writing and drawing online, and I found that each time you do it the walls do come down a little more and it becomes easier. In 2015, the year of Asking, I applied for and received funding for an art course, negotiated some things at work I would usually find difficult and, crucially, learned when I could ask, but also when I didn’t need to anymore.

And these things are cumulative. I shared more stories, and more art and came up with better creative ideas in the year after I made Creativity my guiding principle, because I’d exercised the muscle and it was working more smoothly. My decision-making has been better this year than the last two; it will continue to improve, I’m sure. I speak up more now than I did at the beginning of the year. So, the time has come to choose the word that I think will pick up these three strands and continue to pull them along, while giving me new challenges.

That word?

Value.

I frequently underestimate mine and, frankly, I’m not sure I always see it in other people as much as I could or should. It could be my own financial value, or it could be the emotional or practical value provided by another, but more than that I think it’s understanding that – even if you can’t itemise it – everyone has value, just by virtue of being here. It’s really seeing that, and living it, and getting it. I feel like the best thing I could teach my daughter is to be kind, and at the root of kindness is appreciation. I’ll find it a lot easier to teach her that if I truly have a grip on it myself. As things are in the world now, compassion is desperately needed and not always easy to come by. But it has to start with recognising the value of each person, and really, truly, knowing one’s own.

And hey, it sounds pretty Agent Carter, right?

Brilliant blog posts on HonestMum.com

A little friendly competition

At a recent parents’ evening, 5yo Ramona’s teacher told us how seating our daughter with her best friend tended to improve her work. “There’s a bit of healthy competition going on there, which I admit I sometimes use to get the best out of them.”

Although it shouldn’t, hearing of competition between girls in a positive light does sound strange to me.  I don’t think I’m alone in suspecting that women are raised to think that rivalry is negative – that it’s somehow incompatible with having each other’s backs, owning ‘squad goals’ and knowing where the bodies are hidden.

The thing about surrounding oneself with an army of intelligent, wonderful, interesting human beings is that at some point anyone with all but the most cast iron self-confidence will doubt themselves. I pride myself on having a particularly strong group of pals, each of whom fulfils a part of me that it’s more fun to share: working to make dreams and passions a reality, navigating a particularly sticky work situation, sitting in the cinema holding hands and crying. Each one of those women is astonishingly talented and beautiful – and if I’m totally honest I have a history of being the Fat Friend. Frankly, Peggy Carter might know her value but she had to prove it in a room full of men. Trying to blossom in my own right when I’m surrounded by an entire garden centre feels more challenging – and thinking of it in terms of competition makes me feel about as positive as a Japanese knotweed infestation.

As a result it’s easier to just shy away from it all. No one likes to look too keen; it’s even counterproductive, for how could I compete? Yet I can clearly see that in my daughter’s case, still blissfully free of hang ups and damaging mean girl narratives, a little friendly rivalry is proving good for everyone. When you strive to emulate each other’s strengths, you also pay tribute to them.  Comparison can be the thief of joy, yes, but what could be better than being most inspired by the people you choose to be friends with?

In one of my daughter’s favourite films – the subtle and profound My Little Pony Equestria Girls: Rainbow Rocks – the essential conflict is caused by introducing the idea of competitiveness. A school musical showcase becomes a “battle of the bands” as some slinky sirens literally feed off disharmony. “What’s so wrong with a little competition?” purrs the leader, and the slanging matches begin. But in the end it is a competition that brings down the bad guys – an epic sing-off, in fact – and in order to do it the girls have to include a friend they’ve been inadvertently keeping at arm’s length despite her best efforts to atone for past cruelties. It’s easy to read it as ‘all competition is bad’, but it seems to me that the message is actually that winning is fine  – provided you don’t get there by trampling on anyone, and you consider everyone’s strengths and not just your own (the good guys also have to acknowledge some self-centered and exclusionary behaviour among themselves).

At some point, my daughter will  learn that other people will overtake her, and that she will have to make a decision whether to try, try again or change direction. It’s not easy to know whether you’re giving up too soon or flogging a dead horse; too much comparison can make A look like B, but too little and you end up as one of those people cruelly made a laughing stock on a TV talent show. At some point she’ll have to get used to the idea that other people will look up to her and – this is the tricky bit – accept this as valid. Suffering from imposter syndrome is not at all unusual among women, and I am certainly a veteran. I love that Ramona is getting the opportunity to stretch herself, and see where she can lead and where she can learn. She’s acquiring graciousness and generosity as she helps others with what she finds easy, and since humility is particularly hard to come by in small children I hope she’s learning that too. To genuinely congratulate a friend who has done better than you at something you care about is not easy; envy comes quickly. But it feels so much better and is so much more inspiring and hopeful than the alternative.

When it comes down to it, I want to believe that good things come to good people. And I honestly believe that a little genuinely friendly competition brings the kind of self-awareness and self-confidence that’s needed to act like a good person in the world.

And all I’ve ever wanted to do is raise a good person.

Film review: Carol

Earlier this week I was delighted to be able to go along to The Pool‘s screening of Carol, followed by a Q&A with producer Elizabeth Karlsen and journalist Helen O’Hara. Carol was my LFF ‘one that got away’ – it was replaced by Trumbo, which I enjoyed a great deal, but I still felt the sting of the missed opportunity.

I remember seeing Todd Haynes’ Far From Heaven in the cinema, and being blown away by its loveliness, by the graceful weaving of oppressive sadness between layers of beautifully arranged fabric. I didn’t have any doubts that Carol would be just as gorgeous, if not more so; Karlsen commented afterwards that she thought this was “Todd at the top of his game”, and I can see why. Haynes communicates in the language of sensation; he captures in just a few seconds the headiness and distraction of falling in love, the drifting in and out of focus. His storytelling has a consistently dreamlike quality, though the finely detailed and precise workmanship is always evident; Karlsen made a point of the incredibly prescriptive shotlisting which allowed the film to be shot in just 35 days. It’s not hard to believe that this was all meticulously, lovingly planned down to the last exquisitely styled stitch and button.

Both leads are excellent; Blanchett makes thorough and judicious use of that Galadriel-honed mysterious smile, and Mara’s other-worldliness is perfect for the angel who “fell from space”. And yet…. and yet.

As much as I wanted to love Carol, I couldn’t summon up more than an affectionate fondness. The tenderness between privileged Carol and awkward Therese is appealing and lovely, but while I understand the relationship from the latter’s perspective – Carol overwhelms her senses, and indeed ours – I don’t quite buy into the love story. It’s not clear that they even really like each other; of course, given the time, the place and the very real threat of their illegal relationship there was no way to have any public declarations andmost conversations would be heavily loaded. But the result is a little smothering – I longed to see them simply laugh together, just once. Conversely, “Aunt” Abby’s (a great Sarah Paulson) long-dead romantic relationship with Carol – now a deep and passionate friendship – was fascinating; I desperately wanted to see a film about their history.

If Carol were a food, it would be dessert. But, for all its Michelin-starred care, it wouldn’t be a complex, deconstructed trifle with a feather on top. It would be rice pudding, but the best rice pudding in the world: dreamy, thick; full of cream and vanilla fragrance, with the bittersweet edge of cinnamon. You’d scoop up bite after bite, revelling in its richness and rolling it around your mouth. You’d feel the warmth spreading from your core. You’d savour each tooth-clinging mouthful. But it would only be when you came to the end, scraping the last grains from the bowl, that you’d realise you’re dying for a different texture: a crystal sip of ice water or perhaps the alien crunch of a nut. Carol is sumptuous, and visually glorious and its success can only help drive change in an industry that badly needs to see beyond the tentpole releases and exceptional white male stories. But it also feels as slippery as silk, with a lack of anything really substantial to hold on to.

Many thanks to The Pool for the chance to see the film and enjoy the excellent Q&A afterwards.

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Red lipsticks for people who fear red lipstick

Mother and daughter make faces. There is also a lipstick in here somewhere.

Mother and daughter make faces. There is also a lipstick in here somewhere.

My name is Alex, and for years I feared red lipstick.

There are a whole lot of reasons for this. Some  of these issues could be resolved simply by finding the right lipstick – like a shrubbery it has to be a nice one, not too expensive – but others I just needed to get over (like being noticed and taking up space and wearing things because I like them and not because it’s expected, or not, as the case may be). Anyway, I now have a few red lipsticks that I love, and that do not generate The Fear, and I thought maybe they might help those who also face internal reticence about being brazenly scarlet-lipped in public.

Some of these I actually use and swear by myself; others are on my to-try list and I look forward to any comments telling me your thoughts if you’ve already dared to branch out.

Tried & Tested

1. Lipstick Queen in Medieval

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So, this is barely a lipstick and more of a sheer lipstain. It’s like a gateway drug to hardcore red lipsticks, but thoroughly addictive in and of itself. Plus, being a sheer colour that you can layer as brightly or subtly as you like, it suits practically everyone and basically just deepens your natural lip colour, with a hint of shine. Lipstick Queen is not particularly affordable, with shades like this at about £20-25 a pop (and Velvet Rope – more on this in a moment – at a squeak-inducing £35), but I found a trio of their finest for £20 on Amazon and snapped them up while I was feeling flush.

2. Boots No 7 Stay Perfect in Love Red

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My first go-to red and for a while my only red (hence looking a little battered). It’s a pure pillarbox shade without a hint of orange, which is just as well as I tend on the very pale olive side with dark hair – which means I generally need to tread carefully with olive. I’ve seen this look great on a variety of girls with very different skin tones to me, so I think it’s a bit of an all-purpose winner. And at £9.95 and available in any Boots, much easier to try and / or buy.

3. L’Oreal Color Riche Collection Eva’s Pure Red 

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Having just said that, this is one of the few shades with a hint of coral I’ve found I’ve been able to pull off – even though my skin tone is some distance away from Eva Longoria’s (it’s the one in the photos of us gurning). A brick-ish red which tends to last; after a good 10-hour run I did find it was starting to bleed slightly though it was still clinging on well for the most part. An astonishingly bargainous £6.99, and if there’s a 3-for-2 type offer, J-Lo’s nude shade is also very lovely.

Next Up…

4. Lipstick Queen Velvet Rope in Black Tie

I haven’t yet made the jump to spending £35 on a lipstick, but I’m working up to it. My fine and very beautiful friend Jen recommends it as the go-to, badass, effortlessly light, moisturising and incredibly persistent lip colour she goes back to any time she wants to basically take on the world and win. I can’t really argue with that.

5. Besame 1946 Red Velvet

This is one I’m definitely going to try as soon as possible – just waiting for it to arrive from another country after a friend kindly picked up some for me when it sold out for a while here.  A vintage-inspired shade, it’s the very lipstick used on Hayley Atwell in Marvel’s Agent Carter (hence selling out) – which gives you a pretty good idea of what a pure, deep red it is. Also, there are few entertainment-related things on this earth I love more than Hayley Atwell as Peggy Carter. And if you happen to have similar colouring it should give you an idea how it will look (not as cool as her because no-one possibly could be, but close enough).  30EUR ordered direct from Besame’s European site; best to try and nab some before season 2…

6. MAC Russian Red

Beloved of vintage hounds everywhere and recommended by this ‘ere sultry temptress, this is apparently near immovable and a very true red. I’ve always found MAC stores to be a bit overwhelming, but many of my beauty-loving friends swear by a whole host of their products. Also, they’ll famously swap you a brand new lipstick for free for every six empties you return for recycling. Maybe I need to try more than one shade… after all, I’ve heard good things about Lady Danger, too. £15.50

If there are any more than should go on my list, I’d love to hear about them – so please do comment away.

No disclosure needed; no gifts or PR samples included here. L’Oreal has worked with my employer, but I have never worked on that account.